Nonfiction

Mémoire de fille

Mémoire de fille

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  • Type：Epub+TxT+PDF+Mobi
  • Create Date：2022-10-07 03:53:39
  • Update Date：2025-09-06
  • Status：finish
  • Author：Annie Ernaux
  • ISBN：2072763134
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Summary

"J’ai voulu l’oublier cette fille。 L’oublier vraiment， c’est-à-dire ne plus avoir envie d’écrire sur elle。 Ne plus penser que je dois écrire sur elle， son désir， sa folie， son idiotie et son orgueil， sa faim et son sang tari。 Je n’y suis jamais parvenue。"

Annie Ernaux replonge dans l’été 1958， celui de sa première nuit avec un homme， à la colonie de S dans l’Orne。 Nuit dont l’onde de choc s’est propagée violemment dans son corps et sur son existence durant deux années。 S’appuyant sur des images indélébiles de sa mémoire， des photos et des lettres écrites à ses amies， elle interroge cette fille qu’elle a été dans un va-et-vient entre hier et aujourd’hui。

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Reviews

Luke O'Connell ，

Pretty unclassifiable work of memory。 Really beautiful and 。。。 dare I say relatable？ Annie Ernaux is a great master and I'm hoping she wins the Nobel on FridayRead in English btw Pretty unclassifiable work of memory。 Really beautiful and 。。。 dare I say relatable？ Annie Ernaux is a great master and I'm hoping she wins the Nobel on FridayRead in English btw 。。。more

Julia ，

I don’t relate to her， I don’t even think I like her， but there is something about her that is compelling me to keep reading her books。

Elysa Bérard ，

Faisant les premières expériences de sa sexualité， Annie Ernaux évolue dans un monde « populaire »， alors qu’elle vient d’un monde bourgeois catholique。 Elle va vite se rendre compte de la cruauté des jeunes， et du monde en général。J’ai eu l’occasion de lire cet ouvrage dans le cadre de mes études， et j’ai de suite eu un coup de cœur sur la façon d’écrire de l’autrice。 Elle aborde les thèmes de son ouvrage de façon énormément détachée， comme si c’était une autre personne， car pour elle， c’était Faisant les premières expériences de sa sexualité， Annie Ernaux évolue dans un monde « populaire »， alors qu’elle vient d’un monde bourgeois catholique。 Elle va vite se rendre compte de la cruauté des jeunes， et du monde en général。J’ai eu l’occasion de lire cet ouvrage dans le cadre de mes études， et j’ai de suite eu un coup de cœur sur la façon d’écrire de l’autrice。 Elle aborde les thèmes de son ouvrage de façon énormément détachée， comme si c’était une autre personne， car pour elle， c’était le cas。 Elle n’était plus elle-même。 La manière dont le thème de la sexualité est abordé m’a aussi énormément touché， car l’autrice raconte ses actes sexuels sans nous dire directement si elle était consentante ou non。 On comprend qu’elle ne l’était pas dans sa façon de décrire la scène。 Je pense que si elle n’a pas voulu écrire son consentement dans son ouvrage， c’est pour nous montrer le désintérêt du garçon sur cette question。 Si Annie Ernaux a écrit cet ouvrage si tard， c’est parce qu'elle estimait qu’il y avait « un trou dans son œuvre »， selon ses propres mots。 Vous vous demandez comment elle a pu se souvenir d’autant de détails de cette période si lointaine ？ Et bien en me renseignant， j’ai appris qu’elle s’était servi des lettres envoyées à son ami， ainsi que de son journal intime， qu’elle tenait à cette époque。Ce livre nous permet d’ouvrir les yeux， aux travers de ceux d’une adolescente， évoluant dans un milieu qui lui est inconnu。J’ai trouvé ce livre plutôt très intéressant， et son sujet est plus qu’important。 Mais j’ai ressenti quelques longueurs dans le texte， durant ma lecture。 En revanche， j’ai eu un coup de cœur sur la façon d’écrire d’Annie Ernaux， qui expose ses expériences de vies à travers ses écrits。 。。。more

Erica ，

with apologies to the book club， this was a slog

Mark ，

Starts out full of real life foreboding， but the second half cannot hold up to the intensity of camp counselor pettiness。

Pamela Rahn ，

Un libro interesante que lidia con la memoria de lo que fuiste， pero ya no eres。 La historia no es tan interesante en sí， es la forma en que esta narrado。

Liesa Caset ，

"J'ai commencé à faire de moi-même un être littéraire， quelqu'un qui vit les choses comme si elles devaient être écrites un jour。" "J'ai commencé à faire de moi-même un être littéraire， quelqu'un qui vit les choses comme si elles devaient être écrites un jour。" 。。。more

Eline ，

Ja vijf ballen！！ Het verhaal dat Annie Ernaux wil vertellen gaat over een zomer die zij meemaakte als 18-jarige， maar het boek dat ze er vervolgens over schrijft gaat veel meer over de manier waarop ze zich tot dit verhaal heeft kunnen zetten， over hoe ze op latere leeftijd op zichzelf terugkijkt en hoe haar herinneringen wel of niet kloppen met de werkelijkheid van toen。 Lastige recensie dit， het maakte in ieder geval veel indruk op mij， de manier waarop ze onderscheid maakt tussen beleefde wer Ja vijf ballen！！ Het verhaal dat Annie Ernaux wil vertellen gaat over een zomer die zij meemaakte als 18-jarige， maar het boek dat ze er vervolgens over schrijft gaat veel meer over de manier waarop ze zich tot dit verhaal heeft kunnen zetten， over hoe ze op latere leeftijd op zichzelf terugkijkt en hoe haar herinneringen wel of niet kloppen met de werkelijkheid van toen。 Lastige recensie dit， het maakte in ieder geval veel indruk op mij， de manier waarop ze onderscheid maakt tussen beleefde werkelijkheid en herinneringen én hoe vormend je levensjaren tussen 18 en pakweg 22 jaar eigenlijk zijn。 。。。more

saad ，

annie ernaux at her purest。 one of my fav books that i’ve read this year。

Iraultza ，

。。。 No me ha gustado 🤷‍♀️Igual porque vengo de La mujer helada que resulta más universal， a esta novela que es autoficción pura y dura。 Me espantó desde el principio， la sarta de libros que menciona que me resulta hasta pedante， las citas， el late motiv de «la chica del 58» durante toda la maldita novela， no empatizo en nada con la protagonista， algunas descripciones que me traen a la memoria ciertas novelas realistas peñazo。。。 Algunas reflexiones sobre el deseo y el hambre pueden ser interesant 。。。 No me ha gustado 🤷‍♀️Igual porque vengo de La mujer helada que resulta más universal， a esta novela que es autoficción pura y dura。 Me espantó desde el principio， la sarta de libros que menciona que me resulta hasta pedante， las citas， el late motiv de «la chica del 58» durante toda la maldita novela， no empatizo en nada con la protagonista， algunas descripciones que me traen a la memoria ciertas novelas realistas peñazo。。。 Algunas reflexiones sobre el deseo y el hambre pueden ser interesantes， por el resto。。。 Meh。 。。。more

Na Ta ，

A što je sa sramotom što je bila ludo zaljubljena， što je čekala tog muškarca pred vratima koja on nije otvorio， što su joj lijepili etiketu šize i kurve u povojima？ Je li me Drugi spol od nje očistio， ili me pak do kraja ubio u pojam？ Radije se neću opredijeliti: s ključevima za razumijevanje sramote ne dobivaš i moć da je izbrišeš。Annie Ernaux， Djevojačke uspomene

Raphaëlle ，

Découverte de l’autrice suite à une recommandation dans un podcast。 La premières pages j’étais perplexe， je trouvais le fil décousu。 J’étais dans l’attente de quelque chose。 Sans le réaliser， je me suis retrouvée happé par le style d’Annie Ernaux et par la violence de ce qu’elle a vécu。

Paul Apelgren ，

Ernaux's brief but deep and philosophical memoir about her coming of age is notable for how she thinks of herself in the past as almost a completely different person。 She observes this other person with trepidation and wonder while making disturbing realizations， especially regarding sex and eating disorders。 Its makes the book hard to categorize but definitely worth a visit。 Ernaux's brief but deep and philosophical memoir about her coming of age is notable for how she thinks of herself in the past as almost a completely different person。 She observes this other person with trepidation and wonder while making disturbing realizations， especially regarding sex and eating disorders。 Its makes the book hard to categorize but definitely worth a visit。 。。。more

Clara ，

He sentido una lástima muy cercana

Elif Yalçinkaya ，

。。。more

Anne Marte Jordet Stensrud ，

Veldig fransk bok， tror jeg。 Fortelleren， som også er forfatteren selv， reflekterer over året 1958 da hun var 18 år。 Særlig er det seksualitet og kjærlighet， klasse-， kjønns- og rolleforventninger som får oppmerksomhet。 Forfatteren skriver også om eksistensiell angst - om å være betydelig eller ubetydelig。 For enkeltmennesket er livet vi lever og erfaringene vi gjør ekte og skjellsettende - men hva betyr de i det store historiske， universelle menneskehetsbildet？ Hvor blir det av tenåringen i oss Veldig fransk bok， tror jeg。 Fortelleren， som også er forfatteren selv， reflekterer over året 1958 da hun var 18 år。 Særlig er det seksualitet og kjærlighet， klasse-， kjønns- og rolleforventninger som får oppmerksomhet。 Forfatteren skriver også om eksistensiell angst - om å være betydelig eller ubetydelig。 For enkeltmennesket er livet vi lever og erfaringene vi gjør ekte og skjellsettende - men hva betyr de i det store historiske， universelle menneskehetsbildet？ Hvor blir det av tenåringen i oss？ Er vi den samme gjennom hele livet？Boka var litt kjedelig i sin detaljrikdom， samt at jeg ikle synes forfatterens liv er så interessant i seg selv。 Den lykkes til en viss grad å si noe universelt， men jeg synes den i hovedsak er for partikulær og subjektiv til at jeg ble revet med。 Dette kan handle om alder og kultur， naturligvis。 Men er boka da allmenn og universell dersom disse premissene blir avgjørende？ 。。。more

Tine ，

Ernaux is your aunt who has a lot of childhood stories to share and consistently warns you not to tell your mother or father， or both of you will get into trouble。 Yet even if she hears you asking your mother about any of what she had just told you she would still enthusiastically share a couple or more stories — from when she was still a kid playing under a fruit tree to getting her first tattoo while she was still in university。 Ernaux is not someone you read while you’re on a holiday。 But is Ernaux is your aunt who has a lot of childhood stories to share and consistently warns you not to tell your mother or father， or both of you will get into trouble。 Yet even if she hears you asking your mother about any of what she had just told you she would still enthusiastically share a couple or more stories — from when she was still a kid playing under a fruit tree to getting her first tattoo while she was still in university。 Ernaux is not someone you read while you’re on a holiday。 But is there really that “perfect” time to read one particular work？If you are a woman in your late 20s to early 30s and have read A Girl’s Story， you’d probably agree that this isn’t just one girl’s story but a story of most girls。“…the words we ourselves speak are transcribed by memory unvoiced。”“scenes that in reality would usually not have lasted more than several minutes， even seconds， but which memory has distended out of all proportion as if it had added a little extra to each passage。”“To be bere at that very instant， without spilling over into the before or after。”“What could medicine have done to combat a dream？”“…a way not to be in the world， of not knowing how to be”“…what counts is not the things that happen， but what we do with them。”☕️☕️☕️☕️☕️ because how lucky is French literature to have an Annie Ernaux。 。。。more

Rupsa Pal Kundu ，

The prior notion of A Girl's Story was something relating to a girl's 'hip' period of life， but I was wrong as I couldn't imagine the absolution of the cliche of the adolescent life isn't the case here。 Ernaux's fresh perspective of a troubled teenhood is anything but repeating。When a teenager goes for her first ever summer camp away from home， the first sense of a tiny window of freedom comes with the advent of a sexual predator， while the short lived sensation leads to despair and a futile att The prior notion of A Girl's Story was something relating to a girl's 'hip' period of life， but I was wrong as I couldn't imagine the absolution of the cliche of the adolescent life isn't the case here。 Ernaux's fresh perspective of a troubled teenhood is anything but repeating。When a teenager goes for her first ever summer camp away from home， the first sense of a tiny window of freedom comes with the advent of a sexual predator， while the short lived sensation leads to despair and a futile attempt to win over the false impression of romance。 By the time， the protagonist suffers acute hormonal and physiological distress （read being bulimic for a long period）。 The plunge into the abyss of the illusion of romance is suffocating and takes a while for gaining real sexual awakening。The reader can never stop reading for a moment and take a breath or two when the narrative takes a major shift from 'she' to 'I'。 And， I was literally gasping for air for the prose had revoked a few flashes of certain well guarded and dark alleys of adolescence。This is my second Ernaux after Simple Passion and I have noticed how shrewd yet self reflective and emotionally draining Ernaux's writing is to me。 She never leaves any feeling or thought unopened yet concealing the inevitable mediocrity of life。 Although lyrically rich with pondering prose her writing is the ultimate page turner。There's a striking similarity between The Girl At The Lion D'or by Faulks and A Girl's Story as they share quite a theme of exploitation of innocence。 And， these two books are real close to my heart。 。。。more

Minerva Su ，

2。5 Stars。

Martina Montenero ，

Note di lettura A volte， ho la sensazione che mi manchi qualcosa， che forse avrei dovuto leggere altri suoi libri prima di questo。Come se la conoscessi da troppo poco per cogliere l’entità dei suoi ricordi， che talvolta mi sembrano troppo carichi di dettagli。 Dettagli che， per forza di cose， non posso cogliere。Leggere qualcosa di Violette Leduc。È strano perché inizio ad assimilare la mia situazione alla sua， questo mi fa paura。 Non già nei fatti concreti， bensì nelle circostanze， nell’intangibil Note di lettura A volte， ho la sensazione che mi manchi qualcosa， che forse avrei dovuto leggere altri suoi libri prima di questo。Come se la conoscessi da troppo poco per cogliere l’entità dei suoi ricordi， che talvolta mi sembrano troppo carichi di dettagli。 Dettagli che， per forza di cose， non posso cogliere。Leggere qualcosa di Violette Leduc。È strano perché inizio ad assimilare la mia situazione alla sua， questo mi fa paura。 Non già nei fatti concreti， bensì nelle circostanze， nell’intangibilità dei sogni， dei ricordi， del rifiuto。 Provo tanta amarezza。Quanto è strano che un libro ti inglobi così， una narrazione al cui principio non trovavi punti di contatto e che all’improvviso， quasi a prendersi gioco di te， a tradimento， ti rappresenta。 Non credo di poter mai riuscire a descrivere la pugnalata al cuore di scoprire che forse quello che leggi， la sua storia， è anche， in parte， la tua。 È una sensazione strana e non riesco a trovare il confine in cui i suoi pensieri smettono di essere suoi per diventare miei。È molto doloroso avere il privilegio di prevedere i suoi errori e i suoi affanni， realizzando di non essere stata capace di contrastare i miei。 Vivo una disillusione costante。 Due mondi paralleli che non comunicano。 L’uno non può aiutare l’altro。“La disfatta della volontà“ avevo già capito tutto al volo， prevedendo le pagine successive come un sogno già vissuto。È arrivato come un pugno。 Questo frammento di vita， uno fra molteplici， regala la sensazione di condivisione e comunione， quella che Annie Ernaux definisce come “strana dolcezza della consolazione retrospettiva di un immaginario che viene a dare conforto alla memoria， a infrangere la singolarità e la solitudine di ciò che si è vissuto grazie alla somiglianza， più o meno attendibile， con ciò che è stato vissuto da altri nello stesso momento“。È vero che non capiamo quello che viviamo nel momento in cui accade。 Ed è vero che la memoria， protesa in quel baratro di incertezza， ne sfuma inevitabilmente i contorni， oltretutto impossibilitata ad una serie storica di ricordi， che si incastrano nel tempo nello spazio e generano immagini decontestualizzate。 Mi chiedo， quindi: siamo davvero in grado di comprendere quel che ci accade？Film da vedere e libri da leggere:Buongiorno Tristezza Il secondo sessoL’evento L’ultimo dei giustiCioccolata a colazione 。。。more

Ida ，

Fuldstændig blæst bagover af den selvreflektion forfatteren har， og funderinger omkring det narrativ man skaber for sig selv i nutid og datid， især som forfatter。 Jeg skal klart dykke videre ned i hendes forfatterskab。

Sara ，

hay un término que en el libro se repite bastante （objeto s3xual） y creo que al final esa es la experiencia de annie que madura en torno a eso， como muchas mujeres y me incluyo。 el ser virgen o no serlo， con el peso que conllevan cada una…， estar delgada， ser lista y todo por un hombre asqueroso con barriga y casado… me alegra que después de todo haya quedado en una temporada de su vida con la que no se identifica… al final la abstracción es necesaria para aprender de los errores propios… ah y c hay un término que en el libro se repite bastante （objeto s3xual） y creo que al final esa es la experiencia de annie que madura en torno a eso， como muchas mujeres y me incluyo。 el ser virgen o no serlo， con el peso que conllevan cada una…， estar delgada， ser lista y todo por un hombre asqueroso con barriga y casado… me alegra que después de todo haya quedado en una temporada de su vida con la que no se identifica… al final la abstracción es necesaria para aprender de los errores propios… ah y creo que yo también me iré a Londres porque también estoy perturbada desde los 18 o mucho antes。 。。。more

Aisha ，

I expected to like this more than I did。 2014 Ernaux reflects on the late 1950s when she was 17- 19 years old and having a pretty brutal sexual awakening in part due to a fairly sheltered upbringing as well as the socialisation of women at the time with toxic expectations and normalised male aggression。 The writing in the first half is well done。 The naïveté， lack of a voice during the pivotal event， and the feelings of shame come across pretty powerfully also its unintended and lasting conseque I expected to like this more than I did。 2014 Ernaux reflects on the late 1950s when she was 17- 19 years old and having a pretty brutal sexual awakening in part due to a fairly sheltered upbringing as well as the socialisation of women at the time with toxic expectations and normalised male aggression。 The writing in the first half is well done。 The naïveté， lack of a voice during the pivotal event， and the feelings of shame come across pretty powerfully also its unintended and lasting consequences。However， it stagnates due to the method of telling as 2014 Ernaux inserts herself into the mind of her teenage self， however much she claims not to want to do so， which makes this convoluted。 There’s an element of self-indulgence and a lack of self-awareness （for one who so inserts themself in the modern day） that I could not stomach， particularly when she reminisces about the French - Algerian wars。 “That summer， too， thousands of servicemen left France to restore order in Algeria。 Many had never been away from home before。 In dozens of letters， they wrote about the heat， the djebel， the douars – tent villages – and the illiterate Arabs， who after one hundred years of occupation still did not speak French。 They sent photos of themselves in shorts， grinning with friends in a dry and rocky landscape。”“None of these facts stir even the faintest memory。 What today would be considered a climate of war seemed not to have troubled the girl of S， who I am certain was in favour of ‘the operations for the maintenance of order’ in an Algeria that de Gaulle promised to remain French。”“Either she had grown accustomed to the conflict over the three years it had endured， or she laboured under a hazy misconception， tinged with romanticism， about death in a distant land， a kind of death that was and always had been a male affair。”References to make some life lessons generally applicable to women’s lives / feminist ideals almost work but too many references to literary idols from Satre to Simone de Beauvoir， Victor Hugo etc。。。 take me further away even as one who loves writers and the process of how they come to be。I did like this reference to Simone de Beauvoir "I am certain that the philosophy student has answered Simone de Beauvoir's summons on the last page to choose: ‘I believe that [woman] has the power to choose between the assertion of her transcendence and her alienation as an object。’ She has received the answer to her question， the one asked by most girls of her time: how am I supposed to conduct myself？ With freedom。The premise certainly was interesting， but the execution is tiresome especially for such a short book。"Among my papers I found a sort of note of intent: Explore the gulf between the stupefying reality of things that happen， at the moment they happen， and， years later， the strange unreality in which the things that happened are enveloped"。"To go all the way to the end of ’58 means agreeing to the demolition of all the interpretations I’ve assembled over the years。 No glossing over。 I am not constructing a fictional character but deconstructing the girl I was。"Overall I come away feeling too far removed and uninterested after a while， with some aspects almost unbelievable even though this is autofiction。 。。。more

clawa ，

2，5 / 5 I remember this book being so trendy and hyped a couple summers back and I do not get the hype， like yes this is a nostalgic， semi well written book about being a young woman in the 60s'I dunno， kinda disappointed tbh 2，5 / 5 I remember this book being so trendy and hyped a couple summers back and I do not get the hype， like yes this is a nostalgic， semi well written book about being a young woman in the 60s'I dunno， kinda disappointed tbh 。。。more

BiblioBrandie ，

I love the idea of a memoir novella and this one really worked for me。 The focus is about a french young woman who is remembering her sexual awakening and the shame that came with it。

Jb ，

Mi è riuscito di empatizzare molto bene con questa 'memoria di ragazza'， nonostante lo stile da molti additato come scarno e freddo。 Se capita， come è successo a me， di ascoltare parlare l'autrice durante un'intervista， quel che colpisce è come selezioni le parole per dare le sue risposte， come rifletta su quello che vuole dire， nel costante tentativo di esprimere le proprie idee in modo diretto， onesto， senza aggiunte。 Similmente quando scrive， Ernaux mi pare usi uno stile scarno， parole dure f Mi è riuscito di empatizzare molto bene con questa 'memoria di ragazza'， nonostante lo stile da molti additato come scarno e freddo。 Se capita， come è successo a me， di ascoltare parlare l'autrice durante un'intervista， quel che colpisce è come selezioni le parole per dare le sue risposte， come rifletta su quello che vuole dire， nel costante tentativo di esprimere le proprie idee in modo diretto， onesto， senza aggiunte。 Similmente quando scrive， Ernaux mi pare usi uno stile scarno， parole dure fin quasi alla cattiveria （verso gli altri e verso se stessa）， per evitare il pericolo di un coinvolgimento emotivo， proprio e altrui， che porti a una versione romanzata e quindi in qualche modo fallata， dei fatti e delle emozioni narrati。 Certo， c'è una impianto creativo e ci sono delle scelte stilistiche nei suoi libri， ma mi pare che questi puntino a restituire la realtà o il ricordo che di essa se ne ha， nel modo più semplice e veritiero， cosa difficilissima， come sa chiunque abbia raccontato un fatto che gli è successo o un'emozione che ha provato， e si è trovato a dire di più o di meno di quanto volesse e/o fosse vero， nel tentativo di spiegarsi un accadimento o magari rendere partecipe l'interlocutore。Apprezzo quindi infinitamente il tentativo di Ernaux di arrivare al cuore delle cose in modo diretto e senza sconti perché mi sembra uno dei modi migliori per farlo。 。。。more

quim ，

Ningú ho fa com ella， ningú desmunta el desig des del record d'aquesta manera Ningú ho fa com ella， ningú desmunta el desig des del record d'aquesta manera 。。。more

Léopoldine ，

Un début d’après-midi à bronzer en face d’un lac。 C’est le temps qu’il m’aura fallut pour lire d’une traite ce livre d’Annie Ernaux。 J’ai été frappée par la transparence de ses mots et transportée dans son récit。 Sans artifice， juste la vérité。 C’est beau de lire des phrases empreintes de sincérité。 C’est beau de se plonger dans une recherche de soi quarante-cinq ans après ce dont il est question。 Nous sommes plongés， en tant que lecteurs， dans des réflexions intimes dans lesquelles nous pouvons Un début d’après-midi à bronzer en face d’un lac。 C’est le temps qu’il m’aura fallut pour lire d’une traite ce livre d’Annie Ernaux。 J’ai été frappée par la transparence de ses mots et transportée dans son récit。 Sans artifice， juste la vérité。 C’est beau de lire des phrases empreintes de sincérité。 C’est beau de se plonger dans une recherche de soi quarante-cinq ans après ce dont il est question。 Nous sommes plongés， en tant que lecteurs， dans des réflexions intimes dans lesquelles nous pouvons nous retrouver。Chaque roman d’Annie Ernaux résonne d’une manière différente en fonction de notre âge， de nos expériences， du milieu dans lequel nous avons vécu。 Je ne me suis pas retrouvée dans tout ce dont il était question mais j’ai tout de même pu m’identifier dans beaucoup de moments et c’est touchant d’avoir l’impression de se connaître un peu plus à chaque lecture。Je recommande ce roman à tous même si， d’après moi， les livres d’Annie Ernaux sont à découvrir le plus tard possible。 。。。more

Sarah ，

Beau récit autobiographique qui nous invite dans les méandres de la mémoire et des pensées de son autrice tout en dessinant les contours d'une certaine époque。 Ernaud nous montre également l'envers du décor en essayant de définir ce que signifie l'écriture， en particulier l'écriture de soi : explorer les souvenirs， sélectionner， tenter de comprendre et donner ou enlever du sens。 7，5/10 Beau récit autobiographique qui nous invite dans les méandres de la mémoire et des pensées de son autrice tout en dessinant les contours d'une certaine époque。 Ernaud nous montre également l'envers du décor en essayant de définir ce que signifie l'écriture， en particulier l'écriture de soi : explorer les souvenirs， sélectionner， tenter de comprendre et donner ou enlever du sens。 7，5/10 。。。more

Yasmin Sofia ，

Superb！ Magnifique！ At the same time Erneaux is daring， sophisticated and deep。

Reference

google book https://www.google.com/search?tbm=bks&q=Mémoire de fille

hathitrust digital library https://babel.hathitrust.org/cgi/ls?q1=Mémoire de fille&field1=ocr&a=srchls&ft=ft&lmt=ft

The British Library https://bll01.primo.exlibrisgroup.com/discovery/search?query=any,contains,Mémoire de fille&tab=LibraryCatalog&search_scope=Not_BL_Suppress&vid=44BL_INST:BLL01&lang=en&offset=0